On a bright Sunday morning, Sylvie, Annie, and I gathered at Erikia’s house for the August Charm Exchange. I couldn’t wait to see what everyone had brought, and our little group delivered handsomely with both well-crafted and gorgeous charms and a delicious potluck brunch. There were breakfast sandwiches and pastries from local shops, a yogurt parfait bar, a homemade raspberry gelatin, fresh fruit, a cheese and bread plate, and mimosas!
With our plates loaded, we headed to Erikia’s enchanting backyard where she had a table set up for us under her brand-new canopy. She’s very excited about using the new canopy at her booth in the upcoming Salida Fiber Festival, where she will be selling her vintage tin stitch markers. She’s done an amazing job preparing for the festival, punching out the markers from antique tins and then professionally finishing and stamping them. She used similar techniques to create her charms for Annie’s Birds & Flowers necklace. The red flower is made of copper, which she shaped into a curve before enameling it with powders and a torch to give it its vibrant color.
I crocheted my charms for Erikia’s In the Dark necklace using No. 10 crochet thread and a size 11 steel crochet hook. Working in this small scale presented a huge challenge for me. It took me several tries to get it right. For my first attempt, I crocheted the spider from the book Itty Bitty Crocheted Critters, but I didn’t really take the legs into account when I was working on the body. Although the body was only about an inch long, the legs made the whole thing over three inches! Then I tried just crocheting small balls to see what I could come up with. Stuffing these balls with Fiberfill revealed that I would need something sturdier inside to preserve their shape. I finally found some bronze-colored Bakelite beads in my stash that I thought would be a good fit both in size and color for Erikia’s necklace. I crocheted around the first bead and fastened off before it was completely covered, allowing the bead to show through. For the other bead, I ended up enclosing it completely and then sewing on small black and green beads to give it a spiky texture.
Rosalind used polymer clay to sculpt a mermaid charm and a squid charm for my Coral Reef bracelet. In the squid, she also added oxidized sterling silver chain and some gemstones. Even though she also found that working in this scale has its difficulties, I’m so impressed by all the detail she has managed to include in these charms. Keep in mind that they are under an inch long!
Sylvie created a tiny diorama inside a mini pocket watch for one of her charms for Rosalind’s Garden of Earthly Delights bracelet. It features a teeny baby with Monarch butterfly wings amid the moss of a forest floor. For her second charm, she brought new life to a piece of broken jewelry with the addition of colorful vintage floral beads.
Rosalind and I weren’t alone in our struggle with scale. Annie agrees that making charms this tiny poses a challenge, but I think she succeeded handily with her felt and bead charms for Alexandra’s Kokeshi Doll bracelet. All of the stitching is painstakingly done by hand, and as always, Annie’s eye for color shines through.
Alexandra sculpted her charms for Sylvie’s Eye Adore You necklace in fimo. Most of her experience is with sculpting people or animals, so working with this subject matter was a challenge for her. It forced her to think outside the box, but it also left her inspired to start on the next set of charms right away!
These ladies have inspired me too. I can’t wait to get started on my charms for Annie’s Birds & Flowers necklace. We’ll be meeting again in October, and until then I think I will try working with lighter thread and a smaller hook to see what I can come up with. I might need to invest in a magnifying glass.